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An invaluable record of the thinking of the artists—historical survey and essential reference book for the period.
| Publisher | University of California Press |
| Publication date | April 30, 1997 |
| Edition | First Edition |
| Language | English |
| Print length | 296 pages |
| ISBN-10 | 0520210131 |
| ISBN-13 | 978-0520210134 |
| Item Weight | 1.15 pounds (520 grams) |
| Dimensions | 7 x 0.9 x 8.5 inches (17.8 x 2.3 x 21.6 cm) |
Students studying contemporary art will gain insights into conceptual art's evolution during the late 1960s and early 1970s.
Scholars and researchers can use this text as a critical resource to understand art movements and dematerialization.
Curators planning exhibitions of conceptual art will benefit from the context and analysis presented in this book.
Individuals seeking light or entertaining reading may find the academic tone and content unengaging or challenging.
Six Years: The Dematerialization of the Art Object from 1966 to 1972 Paperback April 30, 1997
This book, written by Lucy Lippard, is highly regarded as a fundamental piece in the critical debate about conceptual art. It provides valuable insight into the early period of Conceptual Art, showcasing Lippard's firsthand experiences during that time. Readers appreciated the important contributions made by this book and praised its perfectly edited edition. The book was even described as a work of conceptual art in itself, highlighting the dense and incredibly creative atmosphere of the late 1960s in America and Europe. A reviewer mentioned purchasing it as a gift for an artist and art teacher, emphasizing its significance within the art community. **
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